Sand Castle Studios

In his latest Machinima, award-winning machinamagrapher Draxtor Despres takes a look at some of the forefathers of machinima and where the art is going, even reaching out to director James Cameron.  He also examines how the New York based organziation, Global Kids, has enriched the machinima platform with their social issue work, including their latest project, “Discovered,” which was created by teens on the Second Life Teen Grid.

Another great piece Drax! We were thrilled to be able to build the history of machinima museum/theatre for this piece.

While the Second Life community was buzzing about the long awaited (Beta) release of the new Second Life Viewer 2.0, Linden Lab also made another big announcement.  On the official Second Life blog, Niko Linden announced the Linden Endowment for the Arts (LEA) program.   The LEA program is being created to help support, encourage, and highlight Second Life artists and their work.

In the upcoming months, it is our pleasure to take a more active role in encouraging the arts inside of Second Life. We are excited to announce the creation of a Linden Endowment for the Arts (LEA) program which will help support, encourage, and highlight Second Life artists and their work. We hope that the collaboration between Linden Lab and the wealth of talented Second Life artists will contribute to a vibrant new chapter for the arts in Second Life.
The Linden Endowment for  the Arts (LEA) program’s goal is twofold:

1. To create an immersive space for artists to share their art, build connections, and prosper in the Second Life community
2. To provide a new way for artwork to live on within our ever-changing virtual world.

While still under design, this program will be a partnership between Linden Lab and Second Life artists, with the additional objective of gathering, displaying, and maintaining art at an inworld Arts Hub. We are currently building the LEA organizing committee, which will include members of the Second Life artist community and Linden Lab employees, to guide the program’s management. Under the creative direction, organization and guidance of the LEA committee, we will hold biannual art exhibitions, highlighting the most creative artwork happening inworld.

Niko says that they are currently looking for a “small but dedicated group” of Second Lifers who are willing to make a commitment to the program, which (at least for now) will be headed by CEO Mark Kingdon.  Those interested in joining the committee can apply here.

While this extraordinary endeavor is long overdue, it also faces some challenges.  Despite the fact that Niko says, “the key to understanding art is not in trying to decide what it is,” that is exactly what Linden Lab will have to do.  The announcement is already full of comments arguing this very question… What is Second Life Art?

So far, most of the controversy stems from Crap Mariner’s insistence that Second Life music is art.  He argues that the Second Life musicians are not always just “one guy with a guitar playing on a stage.”   He says that some SL musicians create immersive experiences as part of their shows, and that they cannot be “pushed to the back burner” anymore.  I agree and disagree.  Music is absolutely and undoubtedly an art, but just like not every painting is art, not every musical performance is an art either.   Having said that, musicians like Grace McDunnough and her full out live music production Musimmersion, most certainly fit the billing of art.  But where do we start and end that thin defining line?

I tend to lean towards definitions in which Second Life actually facilitates the experience and/or emotions that the art provokes.

Bryn Oh described this better in her response to the announcement:

We are in the frontier of a new art movement which is unlike others before it.  As an oil painter i would not expect a jpeg of my work to be considered for inclusion, as all the element which make up the beauty of a painting are lost when converted to this format.  All the brush strokes which convey emotion are no longer seen, the colour is often changed when scanned and they lose the presence which an oil painting can have in real life.  I think we have to look at it from an art history point of view.  What, in ten years time, would an art historian say defined this new medium?  What is unique about SL art over other forms of art we can find in rl.  A 2D painting on a wall can be appreciated for its colour theory and composition but we remain passive observers. The ability we have in Second Life is to create paintings that you can enter and explore.  Instead of paint we use sound, prims, particles, scripts, narrative, and many other tools which allow us to create a new form of art.  Immersive environments allow the viewer to be drawn into the virtual experience and forget rl for a time.  That interaction is unique to this medium except for perhaps installation art or earth art.  Determining what is unique about this medium should really be the guideline as to determining what should be included.

Wagner James Au also attempted to create his own similar definition of Second Life art on his blog:

Second Life art is art that attempts to essentialize an important aspect of the human experience in a way that’s only feasible in SL, leveraging most or all of Second Life’s unique affordances.

In the end no one can ever truly define art.  In my opinion, the keys to the success of this program will be (as Bryn said) determining what is unique about this medium and the art in it and also remembering the distinction between a craft (music is a craft) and actual art (Musimmersion is art).

Today, in a much anticipated announcement, Linden Lab launched the Beta version of their new Second Life viewer.  It will undoubtedly completely revolutionize the way we view and use Second Life, not to mention the first user experience.  There a heaps of changes and new features (small and large) included in this version and lots of additional features and changes in the works.

To get started you need to download the new Viewer 2 (Beta).

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This morning, tech enthusiast, blogger, and social media superstar, Robert Scoble (aka the Scobleizer) sent the Second Life community and Twitter world into a frenzy with his post, “Is Second Life about to enter its ’second life?’” He begins by rehashing the usual “failings” of Second Life.   Yet, even after all his experiences with Second Life, he still got why the initial flow of corporations left SL completely wrong.  However, what followed was more interesting… He announced that tomorrow everything is going to change.

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Recently, the PBS program, “Frontline,” featured a 90-minute documentary entitled “Digital Nation: Life on the Virtual Frontier” which examined what it means to live, work, socialize, in a digital world.  I first heard about the documentary from media theorist, writer, and digital native Douglas Rushkoff during his recent appearance on the virtual talk show, Metanomics.  On the show, Rushkoff discussed his most recent book Life, Inc. and the Digital Nation documentary which he wrote with the film’s producer and director Rachel Dretzin.  I was excited as he described how segments of the film came together, stating ”It’s not us telling America, ‘This is who you are.  You are in a digital nation.’  It was more kind of our digital nation telling us who they are, feeding us the stories that they wanted to see covered.”  (watch the full Metanomics episode here)

Unfortunately, when I tuned in I was saddened, disappointed, and frustrated. It’s not that the piece wasn’t interesting or well done, it was just smothered with this overwhelming feeling of inevitable doom.  I wasn’t the only one who felt this way.  Professor Robert Bloomfield who optimistically hosted Rushkoff’s aforementioned appearance on Metanomics just a few days before the show aired, now wrote on the show’s blog, “The emotional thrust of the piece is clearly that life on the virtual frontier is frightening, dysfunctional, and spells the end of all that is good and wholesome.”

I could easily write pages on how I think this documentary asked the wrong questions, how I think a similar program probably aired decades ago with an identical warning about television, how many of us use computers all day long at work and no one calls us addicts, or how at one point I got up and yelled at a dazed mother to stop mourning over her “addicted” son and do some parenting… but I’ve seen many great blog posts discussing all these points and more.  The segment that I haven’t seen discussed enough is the segment on virtual worlds.

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This pack includes 6 New Year’s party items. They are all made from sculpted prims and were careful modeled using professional software to create an amazing realistic look.

The pack includes:
* Champagne Bottle
* Champagne Glasses (with sipping animation when worn)
* 2010 Party Tiara
* 2010 Party Top Hat
* 2010 Party Glasses
* Party Horn (with sound effect)

All items are copyable and modifiable so that you can adjust them for your needs.

You can purchase the pack In-world or on X-Street

The Man – http://slurl.com/secondlife/Burning%20Life%2DBlack%20Rock/251/13/24

Burning Life 2009 opened in the virtual world of Second Life this past weekend.  Burning Life is described as a festival of community, art, and fire.  It is it the virtual counterpart of Burning Man.  Though there have long been many unofficial overlaps between the two, this year SL’s Burning Life was officially added as a Burning Man Regional Group.

Burning Life 2009 stretches across 34 SIMs.  While each camp has it’s own special qualities, I found 20 that really stood out to me.

1. **TRANSCENDENCE** – SAND CASTLE STUDIOS

   

   OK, I *may* be a little biased on this one, but when Reed Steamroller and I came up with the concept for this, I never expected the masterpiece he would create.  The architecture is breathtaking when you examine the complexity of the interlocking sculpted prims.  As if that wasn’t inspiring enough, the brilliant colors on the baked textures are captivating.

   http://slurl.com/secondlife/Burning%20Life-Bluewing/216/224/24/

2. Among Other Things – AM Radio

   

   Definitely the most inherently fun and interactive exhibit for an outsider to experience as you help create the art for the installation by adding your own graffiti to the trains, which are gorgeously built and textured by this well known Second Life artist.   As an added incentive, when you enter the camp, you receive the wheat from AM’s famous Wheat Fields exhibit as a gift.

   http://slurl.com/secondlife/Burning%20Life%2DJungo/223/37/24

3. Cabaret of Flames – Poid Mahovlich

   

   Poid Mahovlich combines her deep artistic sense, and her personal experience of the real life Burning Man to bring us this tribal immersive exhibit of fire and art.  The powerful sound of drums will surrounded you upon entering the camp, setting the mood to transport you into the desert, and make you feel like you are actually part of the real Burning Man experience more than any other exhibit.  It digs deep to your core and entrances you.  In addition to the transformative experience, you will be offered a gift of fire fans so you too can participate and become part of the exhibit/experience as you dance on the playa.  Poid talks about her experience and what inspired her to build The Cabaret of Flames in a special mini blog and includes an incredible machinima which is as *must see* as the exhibit itself!

   http://slurl.com/secondlife/Burning%20Life%2DRabbithole/75/163/24

4. Vessel’s Dream – Bryn Oh

   

   This well known artist and machinimagrapher doesn’t just create art, she creates experiences.  Her camp this year is based off her poem Lilac.  Unlike other exhibits, to truly experience her immersive installation, you will have to follow the clues and explore the mythical and symbolic characters and rooms (hint: use your camera).  I highly recommend you take the time to enjoy the challenging and fascinating journey this exhibit will take you on.

   http://slurl.com/secondlife/Burning%20Life%2DBordello/21/147/24

5. America’s Homeless Problem – Viomax

   

   This thought provoking exhibit is beautifully constructed and makes a simple, but strong statement about the homeless problem in America.

   http://slurl.com/secondlife/Burning%20Life%2DPaiute/68/229/25

6. Untitled – Marcus Inkpen

   

   This dreamy installation is one of the most spellbinding exhibits I saw.  It is truly a work of art.  In addition to the in-world version, rockerfaerie has documented it in her ethereal machinima.

   http://slurl.com/secondlife/Burning%20Life%2DBluewing/47/94/24

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I’m a ball of emotion tonight as I read on Linden Lab’s Official Blog that the founder of Second Life Philip Rosedale has decided to leave Linden Lab.  The decision comes about a year after Rosedale passed the CEO position over to Mark Kingdon and took over as Chairman of the Board.  Rosedale claims that he will continue his role as Chairman and all that the change really means is that he will no longer be working full time at Linden Lab and will be restricted to “outbound and media type things.”  Instead, Rosedale will be working on a new company that he says is Second Life centric.

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On Friday October 9th 2009, Yoko Ono was in Iceland for the annual lighting of the Imagine Peace Tower, a tribute to her late husband and former Beatle, John Lennon.

Although I am a longtime fan of John Lennon and the Imagine Peace Tower, like many, I have never been able to travel to Iceland to witness the lighting.   This year,  I was privileged to share in the collective experience of the lighting of the Tower and meet Yoko Ono all from the comfort of my home through the magic of Second Life.

Shortly after the annual lighting in Iceland, Yoko joined us in Second Life to unveil a new Imagine Peace Tower and begin a new tradition in the online virtual world.

Yoko began the event by thanking us all for witnessing the unveiling of the Tower.  She continued,

“They say, if all the people in China were to jump up and down at the same time,
the axis of the globe would shift.

Well, we are here together. Billions of us.
Standing at the dawn of a new age, determined to shift the axis of the world to health, peace, and joy by loving and caring for all lives on Earth.

Some of us are here physically, some are joining us in spirit.
Some of us are imprisoned, tortured, maimed, and silenced, but they are also here today with us.
Some of us have passed away before being able to enjoy a new age of love and peace.

But we are all here today standing together with hope.

The light is the light of wisdom, healing and empowerment.

Even in the moments of confusion, fear, and the darkness of your souls,
Hold the light in your hearts,
And you will know that you are not alone,
That we are all together in seeing the light of peace.”

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I was recently approached about an upcoming project that would require our team here at Sand Castle Studios to create some custom content within the virtual world of Second Life.  While I can’t talk about the project itself yet, I can share with you a machinima by award winning machinimagrapher and long time Mac lover Bernhard Drax (aka Draxtor Despres in SL) that previews the mockup we put together including virtual Bill Gates who calls out Draxtor for secretly using Windows!

Special thanks to Second Life residents and friends Beyers Sellers, Bevan Whitfield, Anonymous Sorbet, Ze Moo, Java Moonwall, Chantal Harvey, Annabelle Fleury,  Shava Shuntzu, Cyclic Gearz, Tuna Oddfellow, Wilson Voight, Delphina Audina, Arywn Quandry, and Apatia Hammerer who played the office workers.

Pictures of the filming and sets can be seen here.

For more behind the scenes fun, check out The Office Party, a spoof filmed by Chantal Harvey after the shoot was over.

We first heard of some of the new features coming to Second Life, including this new website (the Dashboard feature had been in Beta on the back channel since late June), when Tom Hale demoed them at this years Second Life Community Convention (SLCC).

Yesterday, Torley Linden gave us a sneak preview of the new site as he highlighted some of its key features in one of his renowned video tutorials.

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Today, the new site went live on http://secondlife.com/ and I have to say I love it!

The first thing you notice is the beautiful high quality photos (thank you finally!) and the visually stunning machinima’s. I especially loved the Titanic like ending of the “What is” video (below).

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Here are some of my favorites from SLCC ‘09:

• The biggest and best announcements came from Tom Hale as he introduced Second Life 2.0: and some of it’s key features such as the new SL viewer, the new website, and the interactive web media API. You can read all about these new features and changes in detail here.

• Tom also announced the long awaited features of mesh support and global illumination. These concepts might be a little complex to some non-content creators, but they look stunning! Learn more about what these features are and what they mean for Second Life here.

• Mark Kingdon and Philip Rosedale gave joint keynote speeches at SLCC.  Philip discussed how we are still at the very beginning of what virtual worlds will be and how we will need to weather tremendous changes as we move towards a more global digital world, but no matter how hard, we must endure them, because these changes are not just evolutionary, but revolutionary as well. You can view parts of his speech here, here, here, and here.   Mark discussed all the changes and amazing features coming to SL and how they are working on growth and making SL a better place. You can view parts of his speech here, here, and here. You can also view his slides below.

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At this years Second Life Community Convention, Linden Lab Chief Product Officer Tom Hale, aka T. Linden, showed video of a polygon mesh object responding to a dynamic lighting system much more advanced then the current lighting and shadows that are available in several Beta viewers. (videos below) With the new system, light is able to be reflected off of objects to their surroundings. Both are much sought after and desired features of advanced and experienced content creators, especially those who want to make use of existing polygon meshes made in Maya and other industry standard modeling tools. Unfortunately, Hale did not give any indication on when theses features might be available.

To help us better understand these features, I have asked our co-founder and Chief Creative Officer here at Sand Castle Studios, Reed Steamroller, to tell us a little more of what this means and what we can expect.

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Here is our latest episode of The California Legacy Series features Bret Harte’s 1870 poem “Dickens in Camp.”

The California Legacy Project at Santa Clara University in collaboration with Heyday Books is dedicated to preserving California’s unique culture through books, radio productions, and now through the virtual world of Second Life, using machinima to visualize the writings.

Check out the episode and some more of the amazing photos we took behind the scenes during the production!

Also don’t miss us TODAY at SLCC as we present “California Legacy – From Out-of-Print Literature to Modern Machinima” from 3pm-6pm SLT PST/SLT in Elizabethan Room D. During this workshop, the series and it’s machinima production will be broken down and discussed at every step. This workshop will also include an opportunity for the audience to participate in the production of a brand new segment, filmed ON THE SPOT! I hope to see you there!